It’s not Christmas without a Messiah

Messiah-titlepageI had two major concerts to finish off the year. The first, with A Capella Singers, was Bach’s Christmas Oratorio. This was my first choral performance of it, having only previously sung the ‘Echo’ aria (Ah, My Saviour). The solos were shared around the choir members, and I was given the soprano/bass duet ‘Lord Thy Mercy’, the Angel’s recitative ‘Be Not Afraid’ and the echo in the Echo aria.

We sang it in English which, while easy on the audience and those choir members who have difficulty learning anything in another language, means that the vowels and consonants do not always fall comfortably. A perfect example was in the duet where I had to sing the word Free sustained on an F whereas in the German it would have been the much more open Frei. Breathing for long phrases was sometimes more challenging due to the words (and meaning) falling differently. However it is all a good learning experience. And of course it’s Bach, where you can’t relax your concentration for a second or you slip on a musical banana skin. I was reasonably happy with my performance after putting in a fair bit of effort. I find recitatives difficult and often feel I spend twice as long on a 20 bar recit as I do for a 5 page aria!

The second concert was one I had been looking forward to for ages as I hadn’t sung a Messiah for quite a few years. This was quite a special one. Organised by Dr White (conductor of our St Mary’s choir) the soloists were bass Jonathan Lemalu, soprano Rebecca Ryan, mezzo Sandra Martinovic (also Jonathan’s wife) and local tenor Clive Thompson. The choir was handpicked from local choirs and combined with members of Dunedin’s Cantores choir. The chamber orchestra consisted of members of Southern Symphonia led by Sydney Manowitz and Gregory Peyroux and Raymond shared the conducting duties.

The Basilica was packed, the soloists were great and the ringing of the third-last Amen around the dome was electrifying. We had two moments in the choruses where we were a whisker from coming unstuck  (no, not in All We Like Sheep Have Gone Astray) but we pulled it together. My teacher who was the soprano soloist deserves extra kudos for performing magnificently 7 weeks after giving birth – by caeserean no less.

So now there is a lull (I’m still on holiday, neener neener). Lessons aren’t resuming till March. Choir rehearsals don’t start till the beginning of February. This year I plan to start working on repertoire for my LTCL (Recital). I’m also getting to sing for the first time in concert the Flower Duet from Lakme. I have decided that my New Year’s Resolutions – yes, yes I know I’m 10 days late – are musical ones:

1. Work on my coloratura – specifically the ‘runny bits’. I seem to veer between lead-footed thumping and laughing hyena.

2. Learn to place the sound forward while maintaining that yawny space thing (apologies for being overly technical).

Only 2 resolutions but I’m thinking they might be enough!

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